The Interweaving of Ornament and Pain, Inspired by the Burnt Golden Thread Embroidery Trousers of Southern Women

Ahmad Nadalian’s projects in southern Iran—particularly on the islands of Qeshm and Hormuz—are among the most profound examples of community-based and feminist art in contemporary Iranian practice. In one of these series, he collected the burnt and worn trousers of southern women, garments traditionally decorated with golâbatun embroidery, and transformed them into a group of […]

Red Being: the performance arts by Ahmed Nadalian with the red soil of Hormuz Island

In the first years of my life in Hormuz Island, I fried my whole being with red soil many times. My intention since my first trip to Hormuz Island was to reveal its value while using this soil in works of art. These words gradually found symbolic and social concepts. Once, I walked, shopped and […]

Imagination in colors: creating a colored background for the imaginary works of art students in 2003

For the art work “Imagination in Colors” I created a colorful background for the imaginative work of the students of faculty of Art in Shahed University. I asked my students to buy different colors. I spilled the paint freely on the floor. My intention was to create a work space. I asked my students to […]

Wounded Mother Earth: Ahmad Nadalian’s Paintings with Stone Powder, Soil and Colored Powders

The collection of paintings named “Wounded Mother Earth”, by Ahmad Nadalian, is an metaphor of virgin nature that is being destroyed. In all primitive cultures there is a relationship between mother and earth.  Wound of Earth is associated with female wound. These works routed in my carving and sculptures.  Living in Hormuz and being in […]